After the creation of The Man Beside Himself in September 2017, Valère Novarina and Wajdi Mouawad pursued the thread of a conversation in which the concept of writing was implied. They skimmed through considerations about time, space and the perpetual entry of the actor on stage, who enters to give, convey, carry, deliver, almost like a courier, who after parking his vehicle, delivers his package : speech. But where do Valère Novarina’s actors come from? From an antechamber that separates the stage from the setting of a catastrophe? The setting of horror? Or the backstage of a puppet show? After The Red Origin, The Unknown Act and The Stage, a new show is born for the Grand Theatre.